Gardens of Love and the Limits of Morality in Early Netherlandish Art (Brill's Studies in Intellectual History / Brill's Studies on Art, Art History, and Intellectual History)

In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.