Stalin's Ghosts : Gothic Themes in Early Soviet Literature (Russian Transformations: Literature, Culture and Ideas .4) (2012. XI, 331 S. 225 mm)

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Stalin’s Ghosts examines the impact of the Gothic-fantastic on Russian literature in the period 1920-1940. It shows how early Soviet-era authors, from well-known names including Fedor Gladkov, Mikhail Bulgakov, Andrei Platonov and Evgenii Zamiatin, to niche figures such as Sigizmund Krzhizhanovskii and Aleksandr Beliaev, exploited traditional archetypes of this genre: the haunted castle, the deformed body, vampires, villains, madness and unnatural death. Complementing recent studies of Soviet culture by Eric Naiman and Lilya Kaganovsky, this book argues that Gothic-fantastic tropes functioned variously as a response to the traumas produced by revolution and civil war, as a vehicle for propaganda, and as a subtle mode of unwriting the cultural monolith of Socialist Realism.

Stalin’s Ghosts examines the impact of the Gothic-fantastic on Russian literature in the period 1920-1940. The volume shows how Soviet authors drew on the traditional archetypes of the genre, such as the castle, the body, vampires, ghosts, villains, madness, and unnatural death, presenting a revisionist challenge to the view of Soviet literature as strictly rational.

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