Staging Subversions : The Performance-within-a-Play in French Classical Theater (Currents in Comparative Romance Languages and Literatures .134) (2004. V, 150 S. 230 mm)

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Staging Subversions: The Performance-within-a-Play in French Classical Theater defines a new type of metadrama using Le Tartuffe as its paradigm and explores the complex, ambiguous, and enlightening relationships that metadrama maintains with the social and political orders. While metadramatic scenes are most often concerned with theater itself, the performance-within-a-play adopts an important function in the play’s plot, and, consequently, in the social world of the play. The performance-within-a-play is particularly associated by the classical playwrights with the family structure, with the class system, with women’s social roles, and with the politics of absolutism.

Using Le Tartuffe as a paradigm, Cashman (French, Temple U.) defines a new type of metadrama and then explores the complex relationships that metadrama maintains in social and political orders. She examines the three aspects of the social order with which classical playwrights associate the play-within-a-play: family and class structures, gender, and the political structure. She concludes with a discussion of female characters' relationship to the political order in the performance-in-a-play structure in tragedy. The volume has no index. Annotation 2004 Book News, Inc., Portland, OR (booknews.com)

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